{"id":2623,"date":"2021-11-30T21:46:47","date_gmt":"2021-11-30T20:46:47","guid":{"rendered":"https:\/\/www.yasukoyamaguchi.com\/works\/"},"modified":"2026-02-08T08:27:19","modified_gmt":"2026-02-08T07:27:19","slug":"works","status":"publish","type":"page","link":"https:\/\/www.yasukoyamaguchi.com\/en\/works\/","title":{"rendered":"Works"},"content":{"rendered":"

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Works<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” _builder_version=”4.17.0″ _module_preset=”default” background_color=”#FDFAF6″ custom_margin=”||||false|false” custom_padding=”||140px||false|false” custom_padding_tablet=”||100px||false|false” custom_padding_phone=”||60px||false|false” bottom_divider_style=”asymmetric2″ bottom_divider_color=”#4C4C4C” bottom_divider_flip=”vertical” bottom_divider_height_tablet=”80px” bottom_divider_height_phone=”50px” bottom_divider_height_last_edited=”on|phone” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_tabs active_tab_background_color=”#8EBF6B” inactive_tab_background_color=”#FDFAF6″ active_tab_text_color=”#4C4C4C” admin_label=”Werke” module_class=”werke equal-tabs” _builder_version=”4.27.4″ _module_preset=”default” tab_text_color=”#4C4C4C” body_font=”Raleway||||||||” tab_font=”Raleway|600|||||||” tab_font_size=”17px” tab_font_size_tablet=”15px” tab_font_size_phone=”15px” tab_font_size_last_edited=”on|tablet” custom_css_tabs_controls=”||margin-bottom: 40px;||background: #fdfaf6;||” custom_css_tab=”background: #fdfaf6;||margin-right: 2%;||margin-bottom: 10px;||border: 2px solid #8ebf6b;||border-radius: 10px;||||||” custom_css_active_tab=”background: #8ebf6b;” border_width_all=”0px” global_colors_info=”{}” active_tab_background_color__hover_enabled=”on|hover” inactive_tab_background_color__hover_enabled=”on|hover” inactive_tab_background_color__hover=”rgba(142,191,107,0.79)” tab_text_color__hover_enabled=”on|hover” tab_text_color__hover=”#4C4C4C” active_tab_background_color__hover=”#8EBF6B” custom_css_tabs_controls_last_edited=”on|phone” custom_css_tabs_controls_tablet=”||margin-bottom: 40px;||background: #fdfaf6;||” custom_css_tabs_controls_phone=”||margin-bottom: 40px;||background: #fdfaf6;||” custom_css_tab_last_edited=”on|tablet” custom_css_tab_phone=”width: 100%!important;||background: #fdfaf6;||margin-right: 2%;||margin-bottom: 10px;||border: 2px solid #8ebf6b;||border-radius: 10px;” custom_css_tab_tablet=”background: #fdfaf6;||margin-right: 2%;||margin-bottom: 10px;||border: 2px solid #8ebf6b;||border-radius: 10px;||width: 16%!important;||” custom_css_tab__hover_enabled=”on|desktop” custom_css_tab__hover=”background: #fdfaf6;||margin-right: 2%;||margin-bottom: 10px;||border: 2px solid #8ebf6b;||border-radius: 10px;||||||”][et_pb_tab title=”Orchestra” _builder_version=”4.17.1″ _module_preset=”default” body_text_color=”#4C4C4C” body_line_height=”1.6em” tab_font=”||||||||” tab_text_color=”#4C4C4C” tab_font_size=”17px” background_color=”#FDFAF6″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n

Das Stehaufm\u00e4nnchen ist umgefallen (1999)<\/h2>\n

for Orchestra | 7’00”<\/h4>\n

Commissioned by the D\u00fcsseldorfer Altstadt Herbst
World premiere: October 03, 1999 D\u00fcsseldorf, Germany
D\u00fcsseldorfer Altstadt Herbst Orchester, Cond.: Martin Fratz<\/p>\n

[\/et_pb_tab][et_pb_tab title=”Large Ensemble” _builder_version=”4.27.4″ _module_preset=”default” body_text_color=”#4C4C4C” body_line_height=”1.6em” tab_font=”||||||||” tab_text_color=”#4C4C4C” tab_font_size=”17px” background_color=”#FDFAF6″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n

Schmelzofen (2024)<\/h2>\n

for 9 Instruments | 8′ 30″<\/h4>\n

Commissioned by the Kunststiftung NRW
World premiere: October 5, 2024 Tokyo, Japan
Ensemble NOMAD, Cond.: Norio Sato<\/p>\n

 <\/p>\n

Buttes Tr\u00e4ume (2013)<\/h2>\n

for 15 Instruments | 10′ 00″<\/h4>\n

Commissioned by the Tonhalle D\u00fcsseldorf
World premiere: May 29, 2013 D\u00fcsseldorf, Germany
Studio Musikfabrik, Cond.: Peter Veale<\/p>\n

 <\/p>\n

Sichtgrenze (1999)<\/h2>\n

for 20 Piccolos | 6\u2019 00\u201d<\/h4>\n

World premiere: June 23, 1999 D\u00fcsseldorf, Germany
Robert-Schumann-Hochschule, Cond.: Andr\u00e9 Sebald<\/p>\n

 <\/p>\n

Positions (1998)<\/h2>\n

for 14 Instruments | 3\u2019 30\u201d<\/h4>\n

World premiere: February 19, 1999 Apeldoorn, the Netherlands
Ensemble De Ereprijs, Cond.: Wim Boerman<\/p>\n

[\/et_pb_tab][et_pb_tab title=”Vocal Music” _builder_version=”4.16″ _module_preset=”default” body_text_color=”#4C4C4C” body_line_height=”1.6em” tab_font=”||||||||” tab_text_color=”#4C4C4C” tab_font_size=”17px” background_color=”#FDFAF6″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n

Higurashi, Goldk\u00e4fer und Mittagsnachrichten (2015)<\/h2>\n

(Lyrics: Naoko Kudo)
for Mixed choir and Piano | 15\u2019 00\u201d<\/h4>\n

Commissioned by the New Choir
World premiere: November 29, 2015 Tokyo, Japan
New Choir, Cond.: Nobuaki Tanaka, Piano: Kaori Nakajima<\/p>\n

 <\/p>\n

Lieder von Buschs\u00e4nger, Hase, Grille und Taumelk\u00e4fer (2013)<\/h2>\n

for Noh-voice und Clarinet | 15\u2019 00\u201d<\/h4>\n

Commissioned by Ryoko Aoki World premiere: March 19, 2013 Tokyo, Japan
Ryoko Aoki, Noh-voice, Takashi Yamane, Clarinet<\/p>\n

 <\/p>\n

UNDULATION IV (2002)<\/h2>\n

for Soprano, Clarinet, Piano and Cello | 8\u2019 30\u201d<\/h4>\n

World premiere: February 14, 2002 Baku, Azerbaijan
Ensemble SoNoR<\/p>\n

[\/et_pb_tab][et_pb_tab title=”Chamber Music (2 to 6 players)” _builder_version=”4.27.4″ _module_preset=”default” body_text_color=”#4C4C4C” body_line_height=”1.6em” tab_font=”||||||||” tab_text_color=”#4C4C4C” tab_font_size=”17px” background_color=”#FDFAF6″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n

Schattenlicht (2024)<\/h2>\n

for Violin, Viola and Violoncello | 6′ 30″<\/h4>\n

World premiere: September 07, 2024 Dresden, Germany
Ensemble El Perro Andaluz<\/p>\n

\u00a0<\/h2>\n

L\u00e4rchenholzschindeln (2022)<\/h2>\n

for Clarinet, Violoncello and Piano | 10\u2019 30\u201d<\/h4>\n

Funded by the GEMA grant
World premiere: December 12, 2022 Tokyo, Japan
Ryuta Iwase, Clarinet \/ Aki Kitajima, Violoncello \/ Erika Kawamura, Piano<\/p>\n

\u00a0<\/h2>\n

Luciferin (2016\/2022)<\/h2>\n

for Hichiriki and Accordion | 9′ 00″<\/h4>\n

World premiere: December 12, 2022 Tokyo, Japan
Hitomi Nakamura, Hichiriki \/ Tomomi Matsubara, Accordion<\/p>\n

\u00a0<\/h2>\n

Die Entdeckung der Freude im Schnee (2014\/2021)<\/h2>\n

for Violin and Harp | 7′ 00″<\/h4>\n

World premiere: June 19, 2022 Kurayoshi, Japan
Duo X[iksa] (Yasutaka Hemmi, Violine \/ Takayo Matsumura, Harfe)<\/p>\n

\u00a0<\/h2>\n

Unterbrochene Landschaft (2021)<\/h2>\n

for Piccolo and Organ | 9\u2019 00\u201d<\/h4>\n

Funded by the NRW artist grant
World premiere: May 26, 2022 Rostock, Germany
Evelin Degen, Piccolo \/ Matthias Geuting, Organ<\/p>\n

\u00a0<\/h2>\n

Stein. Wasser. Licht. (2020)<\/h2>\n

for Saxophone, Accordion and Double bass | 11\u2019 00\u201d<\/h4>\n

Commissioned by the Kunststiftung NRW
World premiere: September 18, 2020 Val\u00e8ncia, Spain
Tr\u00edo Feedback (Ricard Capellino, Sax. \/ Esteban Algora, Acc. \/ Dario Calderone, Db.)<\/p>\n

 <\/p>\n

Luciferin (2016\/2019)<\/h2>\n

for Shakuhachi and Accordion | 9′ 00″<\/h4>\n

World premiere: TBA
Horacio Curti, Shakuhachi \/ Esteban Algora, Accordion<\/p>\n

 <\/p>\n

Windweben (2007\/2017)<\/h2>\n

for Bass clarinet, Accordion and Cello | 8\u2019 00\u201d<\/h4>\n

World premiere: December 04, 2017 Leipzig, Germany
Eva Z\u00f6llner, Accordion + Talea Ensemble<\/p>\n

\u00a0<\/h2>\n

Windesspuren (2017)<\/h2>\n

for Clarinet and Accordion | 3′ 30″<\/h4>\n

World premiere: November 20, 2017 Oulu, Finland
Taifun duo<\/p>\n

\u00a0<\/h2>\n

Luftgeister (2017)<\/h2>\n

for Flute, Guitar and Percussion | 9\u2019 00\u201d<\/h4>\n

World premiere: September 08, 2017 09. Winsen\/Luhe, Germany
Ensemble L’ART POUR L’ART<\/p>\n

\u00a0<\/h2>\n

Luciferin (2016)<\/h2>\n

for Hichiriki and Sh\u00f4 | 9\u2019 00\u201d<\/h4>\n

Commissioned by Hitomi Nakamura
World premiere: July 22, 2016 Tokyo, Japan
Hitomi Nakamura, Hichiriki \/ K\u00f4 Ishikawa, Sh\u00f4<\/p>\n

\u00a0<\/h2>\n

Pekaris in der Ruine (2016)<\/h2>\n

for Trombone and Piano | 9\u2019 00\u201d<\/h4>\n

Commissioned by the Contemporary Duo
World premiere: February 29, 2016 Tokyo, Japan
Contemporary Duo (Kousei Murata, Trombone \/ Kazue Nakamura, Piano)<\/p>\n

\u00a0<\/h2>\n

Die Entdeckung der Freude im Schnee (2014)<\/h2>\n

for Clarinet and Harp | 7′ 00″<\/h4>\n

Funded by Udo van Meeteren
World premiere: January 16, 2015 Berlin, Germany
Duo Imaginaire (John Corbett, Clarinet \/ Simone Seiler, Harp)<\/p>\n

\u00a0<\/h2>\n

Lieder von Buschs\u00e4nger, Hase, Grille und Taumelk\u00e4fer (2012)<\/h2>\n

for Noh-voice and Clarinet | 18′ 00”<\/h4>\n

Commissioned by Ryoko Aoki
World premiere: March 19, 2013 Tokyo, Japan
Ryoko Aoki, Noh-voice \/ Takashi Yamane, Clarinet<\/p>\n

\u00a0<\/h2>\n

Wurzeln (2009-2010)<\/h2>\n

for Hichiriki, Cello, Percussion and Piano | 9\u2019 00\u201d<\/h4>\n

Commissioned by Music From Japan
World premiere: February 21, 2010 New York, USA
Hitomi Nakamura, Hichiriki \/ Fred Sherry, Vc. \/ Eric Poland, Perc. \/ Stephen Gosling, Pf.<\/p>\n

\u00a0<\/h2>\n

Wind.Regen.Tanz. (2008) (2008)<\/h2>\n

for Alto flute, Violin and Percussion | 13\u2019 00\u201d<\/h4>\n

Commissioned by the Tonhalle D\u00fcsseldorf
World premiere: September 19, 2008 D\u00fcsseldorf, Germany
E-MEX Ensemble<\/p>\n

\u00a0<\/h2>\n

Die lebenden Spuren (2007)<\/h2>\n

for Flute, Clarinet, Violin, Cello and Piano | 12\u2019 00\u201d<\/h4>\n

World premiere: May 29, 2013 Dortmund, Germany
E-MEX Ensemble<\/p>\n

 <\/p>\n

Irregehen (2004\/2007)<\/h2>\n

for Bass clarinet and Cello | 10\u2019 00\u201d<\/h4>\n

World premiere: May 29, 2013 Dortmund, Germany
E-MEX Ensemble<\/p>\n

\u00a0<\/h2>\n

Windweben (2007)<\/h2>\n

for Tenor saxophone, Accordion and Cello | 10\u2019 00\u201d<\/h4>\n

World premiere: June 21, 2007 Freiburg, Germany
Ensemble ecco<\/p>\n

\u00a0<\/h2>\n

Nachtlied (2005)<\/h2>\n

for Clarinet, Cello and Piano | 8\u2019 00\u201d<\/h4>\n

Commissioned by the Tonhalle D\u00fcsseldorf and the Dr. Karl Emil and Lilli Br\u00fcgmann Foundation
World premiere: October 31, 2005 Tokyo, Japan
E-MEX Trio<\/p>\n

 <\/p>\n

Lichttempel (2005)<\/h2>\n

for Flute and Piano | 11\u2019 00\u201d<\/h4>\n

World premiere: May 29, 2013 Dortmund, Germany
E-MEX Ensemble<\/p>\n

 <\/p>\n

Parabel (2004-05)<\/h2>\n

for Flute, Clarinet, Percussion, Violin and Cello | 7\u2019 00\u201d<\/h4>\n

Commissioned by the Kunststiftung NRW
World premiere: January 20, 2005 D\u00fcsseldorf, Germany
Th\u00fcrmchenensemble, Cond.: Erik O\u00f1a<\/p>\n

 <\/p>\n

Zweisax (2004)<\/h2>\n

for two Tenor saxophones | 10\u2019 00\u201d<\/h4>\n

World premiere: May 12, 2005 Freiburg, Germany
Saxophoneduo dialodia<\/p>\n

 <\/p>\n

Irregehen (2004)<\/h2>\n

for Bass clarinet and Double bass | 10\u2019 00\u201d<\/h4>\n

World premiere: February 23, 2007 D\u00fcsseldorf, Germany
notabu.ensemble neue musik<\/p>\n

 <\/p>\n

Beach Birds (2003)<\/h2>\n

for Mandolin and Guitar | 10\u2019 00\u201d<\/h4>\n

World premiere: September 08, 2017 02. M\u00fcnchen, Germany
Daniel Ahlert, Mandolin \/ Birgit Schwab, Guitar<\/p>\n

 <\/p>\n

UNDULATION IV (2002)<\/h2>\n

for Soprano, Clarinet, Piano and Cello | 8\u2019 30\u201d<\/h4>\n

World premiere: February 14, 2002 Baku, Azerbaijan
Ensemble SoNoR<\/p>\n

 <\/p>\n

Aus dem Nebel (1998)<\/h2>\n

for Clarinet, Vibraphone and Double bass| 7\u2019 00\u201d<\/h4>\n

World premiere: September 13, 1998 Grevenbroich, Germany
notabu.ensemble neue musik, Cond.: Mark-Andreas Schlingensiepen<\/p>\n

 <\/p>\n

UNDULATION III (1998)<\/h2>\n

for two Violins and Viola | 8\u2019 30\u201d<\/h4>\n

World premiere: February 25, 1998 Tokyo, Japan
Kioko Yasuda, Violin I \/ Kiyo Kido, Violin II \/ Keiko Kimura, Viola<\/p>\n

[\/et_pb_tab][et_pb_tab title=”Solo” _builder_version=”4.27.4″ _module_preset=”default” body_text_color=”#4C4C4C” body_line_height=”1.6em” tab_font=”||||||||” tab_text_color=”#4C4C4C” tab_font_size=”17px” background_color=”#FDFAF6″ background_enable_color=”on” global_colors_info=”{}”]<\/p>\n

Akoya (2022)<\/h2>\n

for Electric Guitar | 8′ 30″<\/h4>\n

Funded by the NRW artist grant
World premiere: December 12, 2022 Tokyo, Japan
Gaku Yamada, Electric Guitar<\/p>\n

 <\/p>\n

Three Miniatures for the Belwalder Village Organ (2022)<\/h2>\n

for Organ | 7′ 00”<\/h4>\n

World premiere: September 17, 2022 Bellwald, Switzerland
Yasuko Yamaguchi, Organ<\/p>\n

\u00a0<\/h2>\n

I canti del gabbiano e il silenzio della laguna di notte (2018-19)<\/h2>\n

for Piano | 9′ 00”<\/h4>\n

World premiere: February 27, 2019 Venice, Italy
Martin von der Heydt, Piano<\/p>\n

 <\/p>\n

Hirtenmusik (2012\/2018)<\/h2>\n

for Electone | 9′ 00”<\/h4>\n

World premiere: December 19, 2018 Tokyo, Japan
Yukino Ichikawa, Electone<\/p>\n

 <\/p>\n

Hirtenmusik (2012)<\/h2>\n

for Organ | 9′ 00”<\/h4>\n

World premiere: June 01, 2012 06. Remscheid, Germany
Matthias Geuting, Organ<\/p>\n

 <\/p>\n

Zuckerregen (2002)<\/h2>\n

for Toy piano | 6\u2019 30\u201d<\/h4>\n

World premiere: January 16, 2015 D\u00fcsseldorf, Germany
Bernd Wiesemann, Toy piano<\/p>\n

 <\/p>\n

zw\u00f6lf (2001)<\/h2>\n

for Piano | 3\u2019 40\u201d<\/h4>\n

World premiere: June 07, 2002 06. Paris, France
Marcel Worms, Piano<\/p>\n

 <\/p>\n

Ich bin ein Teil des Teils (2000)<\/h2>\n

for Piano | 8\u2019 30\u201d<\/h4>\n

World premiere: April 25, 2001 Cologne, Germany
Yoshishige Tanaka, Piano<\/p>\n

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